While they make love numerous hands are seen emerging from the roots of the tree. At first he resists, but when she flees into the woods and begins masturbating underneath a large tree he chases after her and half-heartedly complies. He is repulsed by this and reproaches her for buying into the gynocidal beliefs she had originally set out to criticize. It is revealed that, while writing her thesis, she came to believe that all women are inherently evil. Her writing becomes more frantic and illegible as the pages go on. As acorns pelt the cabin like rapid gunfire, he awakens to find his hand covered in swollen ticks, and at the conclusion of this chapter he comes across a self- disemboweling fox which utters the words "chaos reigns."Ĭhapter Three: Despair (Gynocide): He finds his wife's thesis studies: pictures of witch-hunts and a scrapbook filled with articles and notes on misogynist topics. The environment surrounding the cabin also becomes increasingly sinister.
During sessions of psychotherapy she becomes increasingly grief stricken and manic. She hesitates and then sprints across the bridge and into the woods, leaving him to follow after her. Upon encountering a footbridge, she is overcome with fear. As the deer turns to leave he sees a dead fawn hanging halfway out of the womb.Ĭhapter Two: Pain (Chaos Reigns): The couple continue towards the cabin. During the journey to Eden, while she sleeps, he encounters a deer which shows no fear of him. In an isolated cabin in the woods (appropriately called Eden) where she spent time with Nick the previous summer while writing a thesis on Gynocide, he learns that her greatest fear centers on the structure and the surrounding vegetation.
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After a less-than-fruitful period at home, during which she tries to free herself from the pain of her child's death and dependence on psychiatric drugs, he decides to try exposure therapy.
Her husband, a therapist, is skeptical of the psychiatric care she is receiving and takes it upon himself to treat her with psychotherapy. Spending the next month in the hospital, in and out of consciousness and with little concept of time, she awakens crippled with grief. The other mourners gather around her, their faces blurred. A couple's young son, Nick, falls from a window to his death on the snowy ground below while his parents (who remain unnamed throughout the film) passionately make love.Ĭhapter One: Grief: During Nick's funeral, the wife collapses. Prologue: With background music " Lascia ch'io pianga" from Handel's Rinaldo (1711). The film is dedicated to the Soviet filmmaker Andrei Tarkovsky (1932–86). Other awards won by the film include the Robert Award for best Danish film, The Nordic Council Film Prize for best Nordic film and the European Film Award for best cinematography. It was filmed in Germany and Sweden.Īfter premiering at the 2009 Cannes Film Festival, where Gainsbourg won the festival's award for Best Actress, the film immediately caused controversy, with critics generally praising the film's artistic execution but strongly divided regarding its substantive merit. The film was primarily a Danish production but co-produced by companies from six different European countries. The narrative is divided into a prologue, four chapters and an epilogue. It follows horror film conventions and tells the story of a couple who, after the death of their child, retreat to a cabin in the woods where the man experiences strange visions and the woman manifests increasingly violent sexual behaviour. Fox” and von Trier’s “Antichrist,” both released in 2009).Antichrist is a 2009 Danish art film written and directed by Lars von Trier, starring Willem Dafoe and Charlotte Gainsbourg. The recent “Murder on the Orient Express” star approves of some of his fan-penned performance trademarks, such as “characters that often meet a grim fate,” and “prominent cheekbones.” He is also reminded that he has appeared in two features with talking foxes (Wes Anderson’s “Fantastic Mr. In the colorful, five-minute clip, Dafoe confesses that he was fired from his first job (“Heaven’s Gate”) for laughing his four-film partnership with Lars von Trier began with an icy, naked swim and playing Jesus (“The Last Temptation of Christ”) meant hearing Martin Scorsese yell cut because Dafoe’s penis required adjusting. However, his three-decade-plus career has been anything but expected, as evidenced by a new Funny or Die video in which Dafoe is quizzed on the contents of his IMDb page. When Willem Dafoe recently received his third Oscar nomination (“The Florida Project”), it came once again in the Best Supporting Actor category, where he had been nominated twice before (“Platoon,” “Shadow of a Vampire”).
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